Huvudlitteratur

• Cavazzini, Patrizia, Painting as business in early seventeenth-century Rome, University Park, Pa., Pennsylvania State University Press, 2008Obligatorisk*
• Duncan, Carol, Civilizing rituals: Inside Public Art Museums, London ; a New York, Routledge, 1995Obligatorisk*
• Feigenbaum, Gail, Display of art in the Roman palace, 1550-1750, Los Angeles, Getty Research Institute, 2014Obligatorisk*
• Eliasson, Sabrina Norlander m.fl., Italian paintings: three centuries of collecting, Nationalmuseum, Stockholm. Vol. 1, Ostfildern, Hatje Cantz, 2015Obligatorisk* (I urval.)
• Nash, Susie, Northern Renaissance art, New York, Oxford University Press, c2008Obligatorisk*
• The genesis of the art museum in the 18th century: papers given at a symposium in Nationalmuseum Stockholm, June 26, 1992, in cooperation with the Royal Academy of Letters, History and Antiquities, Stockholm, Nationalmuseum, 1993Obligatorisk*
• Kennedy, Trinita, Sanctity pictured: the art of the Dominican and Franciscan orders in Renaissance Italy, London, Philip Wilson, 2014Obligatorisk* (I urval.)
• Welch, Evelyn S., Art in Renaissance Italy 1350-1500, [New ed.], Oxford, Oxford University Press, 2000Obligatorisk*
• Woods, Kim W., Making Renaissance art, New Haven [Conn.], Yale University Press, 2007Obligatorisk* (I urval.)
• Woods, Kim; Richardson, Carol M.; Lymberopoulou, Angeliki, Viewing Renaissance art, New Haven, Yale University Press, 2007Obligatorisk* (I urval.)

Valbar litteratur

• Eriksson, Johan, Kondottiärfurstarnas visuella retorik: Leonello dÉste, Sigismondo Malatesta, Alessandro Sforza, Federico da Montefeltro, Stockholm, Raster, 2002
• Jones, Pamela M., Altarpieces and their viewers in the churches of Rome from Caravaggio to Guido Reni, Burlington, VT, Ashgate, 2008
• Norlander Eliasson, Sabrina, A Faceless Society?: Portraiture and the Politics of Display in Eighteenth-Century Rome, Ingår i: Art history: journal of the Association of Art Historians, vol. Vol. 30, nr. No. 4, 2007 (18 sid (pdf))
• Paul, Carole, The Borghese collections and the display of art in the age of the Grand tour, Burlington, Ashgate, 2009
• Prytz, Daniel; Eriksson, Johan, The Martelli collection: further notes towards its history, Ingår i: Art bulletin of Nationalmuseum Stockholm., vol. 16, 2010, s. 77–86 (10 sid (pdf))
• Rådström, Karin, Galliera-samlingen på Stockholms Slott: Fil kand Karin Rådström är konstvetare från Stockholm. Hon arbetar f n med att katalogisera och attribuera Galliera-samlingens konstverk, Ingår i: Romhorisont: tidskrift för Föreningen Svenska Rominstitutets vänner och Svenska institutet i Rom, 1986(11), 10-14 : ill. (10 sid (pdf))
• Widén, Per, Från kungligt galleri till nationellt museum: aktörer, praktik och argument i svensk konstmuseal diskurs ca 1814-1845, Hedemora, Gidlund, 2009
• Widén, Per, Meritorious Citizens in Royal Surroundings: The National Portrait Gallery of Sweden and its Use of a Historical Environment as Exhibition Space, Ingår i: Museum History Journal, vol. Vol. 8, nr. 1 (s. 73–87 (pdf))

* Obligatorisk