Amanda Wasielewski

Associate senior lecturer/Assistant Professor at Department of ALM

Telephone:
+46 18 471 63 28, +46 72 999 91 21
E-mail:
amanda.wasielewski@abm.uu.se
Visiting address:
Engelska parken
Thunbergsvägen 3H
752 38 Uppsala
Postal address:
Box 625
751 26 UPPSALA

Short presentation

Amanda Wasielewski is Associate Senior Lecturer of Digital Humanities and Associate Professor (Docent) of Art History. Her research investigates the impact of digital technology in art, architecture, and cultural heritage institutions.

Photo credit: Göran Ekeberg

Keywords

  • artificial intelligence
  • digital art history
  • digital humanities
  • photography
  • virtual reality
  • visual culture

Research

Publications

Monographs

  • Computational Formalism: Art History and Machine Learning. Cambridge, MA: MIT Press, 2023.
  • From City Space to Cyberspace: Art, Squatting, and Internet Culture in the Netherlands. Amsterdam: Amsterdam University Press, 2021.
  • Made in Brooklyn: Artists, Hipsters, Makers, Gentrifiers. Arlesford, Hampshire: Zero Books, 2018.

Edited Books

  • Critical Digital Art History. Bristol: Intellect Press. [forthcoming 2024] [eds: Amanda Wasielewski, Anna Näslund Dahlgren]

Book Chapters

  • “Introduction.” In Critical Digital Art History. Bristol: Intellect Press. [forthcoming] [eds/authors: Amanda Wasielewski, Anna Näslund Dahlgren] [forthcoming 2024]
  • “Art Datasets and the Reification of Style in Machine Learning.” In Critical Digital Art History. Bristol: Intellect Press. [forthcoming 2024]
  • “The Growing Pains of Digital Art History: Issues for the study of art using computational methods.” In Digital Human Sciences: New Objects – New Approaches, edited by Sonya Petersson, 127-151. Stockholm: Stockholm University Press, 2021.
  • “Mining Art History: Bulk Converting Non-Standard PDFs to Text to Determine the Frequency of Citations and Key Terms in Humanities Articles.” In Digital Human Sciences: New Objects – New Approaches, edited by Sonya Petersson, 285-305. Stockholm: Stockholm University Press, 2021. [authors: Amanda Wasielewski, Anna Dahlgren]
  • “‘We Have Decided Not To Decide’: The End of History and the Punk Politics of De Reagering.” In Aftermath: the Fall and Rise After the Event, edited by Robert Kusek, Beata Piątek, and Wojciech Szymański, 177-192. Krakow: Jagiellonian University Press, 2019.
  • “PKP-TV: Pirate Utopias.” In Maarten Ploeg: Ploeg + Werk, 1958-2004. Amsterdam: Maarten Ploeg Trust, 2018.

Edited Journal Issue

  • “The Politics of Metadata.” Special Issue, Digital Culture & Society 6, no. 2 (2020). [editors: Anna Dahlgren, Karin Hansson, Ramón Reichart, Amanda Wasielewski]

Academic Journal Articles

  • “Authenticity and the Poor Image in the Age of Deep Learning.” Photographies 16, no. 2 (May 4, 2023): 191–210.
  • “‘Midjourney Can’t Count’: Questions of Representation and Meaning for Text-to-Image Generators.” IMAGE: Zeitschrift Für Interdisziplinäre Bildwissenschaft 37, no. 1 (May 2023): 70–81.
  • “The Museum in Quarantine: Architecture, Experience, and the Virtual Museum Tour.” Journal of Curatorial Studies 11, no. 1 (April 2022): 4-24.
  • “Interfaces of Art: Meyer Schapiro, Fernand Léger, and the Role of the Art Historian in Anachronistic Artistic Influence.” Journal of Art Historiography, no. 26 (June 2022). https://arthistoriography.files.wordpress.com/2022/05/wasielewski.pdf.
  • “The Digital U-Turn in Art History.” Konsthistorisk Tidskrift/Journal of Art History 90, no. 4 (October 2, 2021): 249–66. https://doi.org/10.1080/00233609.2021.2006774. [authors: Anna Näslund Dahlgren, Amanda Wasielewski]
  • “Cultures of Digitization: A Historiographic Perspective on Digital Art History.” Visual Resources (September 30, 2021): 1–21. https://doi.org/10.1080/01973762.2021.1928864. [authors: Anna Näslund Dahlgren, Amanda Wasielewski.]
  • “Introduction: The Politics of Metadata.” Digital Culture & Society 6, no. 2 (2020): 7-17. [authors: Anna Dahlgren, Karin Hansson, Ramón Reichert and Amanda Wasielewski]
  • “From Rogue Sign to Squatter Symbol.” City 23, no. 2 (March 4, 2019): 256–67.
  • “Books Were Opened: The Apocalypse of Margaret of York (Ms. M.484) and Spiritual Empowerment of the Laity in the Fifteenth Century.” Peregrinations: Journal of Medieval Art and Architecture 5, no. 4 (Autumn 2016): 76-110.
  • “Lurking Within Reach: Stereoscopic Photomicrography in the 1860s.” History of Photography 39, no. 1 (January 2, 2015): 56–70.
  • “Grains of Gold in All This Shit: Web 2.0, Crowdsourcing and Participatory Art.” Hz Journal, no. 16 (March, 2011). http://www.hz-journal.org/n16/wasielewski.html.
Amanda Wasielewski

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