Marianne Gillion
Affilierad Forskare vid Institutionen för musikvetenskap
- Mobiltelefon:
- 018-471 62 06
- E-post:
- marianne.gillion@musik.uu.se
- Besöksadress:
- Engelska parken, Thunbergsvägen 3H
- Postadress:
- Box 633
751 26 UPPSALA
Ladda ned kontaktuppgifter för Marianne Gillion vid Institutionen för musikvetenskap
- ORCID:
- 0000-0002-6594-9845
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Kort presentation
Jag är forskare på Marie Skłodowska-Curie projektet Resounding Worship: Networks of Musical Devotion in the European Reformations, 1520-1648. Tidigare arbetade jag som postdoktor på KU Leuven (Belgien) och Salzburgs Universitet (Österrike). Mina forskningsintressen är tidigmodern bokhistoria, reformationens och motreformationens gudstjänster, och musikens betydelse för kvinnor i öppnare ordenslika systerskap, så kallade ‘beguiner’.
Nyckelord
- bookhistory
- digital humanities
- gender
- history of religion
- music
- music history
- musicology
Biografi
Jag studerade på the Royal Welsh College of Music and Drama, Trinity Western University (BA 2010) och Bangor University (MA, 2012). Jag disputerade vid The University of Manchester 2015 på avhandlingen “Diligentissime emendatum, atque correctum”? The transmission and revision of plainchant in Italian printed graduals, 1499–1653. Min första postdoc var kopplad till projektet Music Printing in German-Speaking Lands: From the 1470s to the mid-16th Century, på Salzburgs Universitet (2016–2017). Under 2017 arbetade jag vid KU Leuven och the Alamire Foundation som postdoktor, och 2018 beviljades jag ett treårigt projekt från Research Foundation – Flanders: According to Antwerp, Reformed to Rome: Music, Liturgies, and Identities in the Bishopric of Antwerp (1559–1801). Mitt projekt, Resounding Worship: Networks of Musical Devotion in the European Reformations, 1520-1648 belönades med en Marie Skłodowska-Curie Seal of Excellence Fellowship från Vinnova i 2021, och en Marie Skłodowska-Curie Action från Europeiska kommissionen, och började i April 2022.
Forskning
Denna text finns inte på svenska, därför visas den engelska versionen.
In my research, I explore how the plainchant used in public worship could challenge, shape, and express identities, especially in times of religious upheaval. Combining methods from musicology and book history, I investigate how chant could serve as a form of connection, uniting diverse communities across political, religious, and chronological boundaries. My approach includes practice-based research, through which I have examined the roles of chant, extemporised polyphony, and organ in musical liturgies. Gender is a central focus of my research. In my current Marie Skłodowska-Curie Action, I investigate how re-presentations of femininities in revised saints’ celebrations influenced communities’ gendered ideas and expectations. I am also interested in the musical and devotional activities of semi-religious women, particularly beguines.
A strong focus on and involvement with the multidisciplinary digital humanities is key to my work. I am an official collaborator of the Digital Analysis of Chant Transmission project, funded by the Canadian Social Sciences and Humanities Research Council. I also act as a musicological consultant for the project Unlocking the Mysteries of a Medieval Chant Book with Multispectral Imaging, funded by the National Endowment for the Humanities (USA) and based at the University of Missouri – Kansas City.
Publikationer
Senaste publikationer
- The Constance Gradual (c. 1470-73) (2022)
- Interconfessional Implications: Printed Plainchant in the Wake of the Reformation (2021)
- Archiepiscopal Archetypes, Printed Books, and Parish Practices: Musical Notation in Editions of the Missale Salisburgense (1492-1515) (2021)
- Plantin’s Antiphonarium Romanum (Antwerp, 1571–3) (2021)
- Editorial endeavours (2020)
Alla publikationer
Artiklar
- Interconfessional Implications: Printed Plainchant in the Wake of the Reformation (2021)
- Archiepiscopal Archetypes, Printed Books, and Parish Practices: Musical Notation in Editions of the Missale Salisburgense (1492-1515) (2021)
- Plantin’s Antiphonarium Romanum (Antwerp, 1571–3) (2021)
- Editorial endeavours (2020)
- The printed edition (2019)
- Retrofitting Plainchant (2019)
- Review of A Paradise of Priests: Singing the Civic and Episcopal Hagiography of Medieval Liège by Catherine Saucier (2017)
- Review of St. Anne in Renaissance Music: Devotion and Politics by Michael Alan Anderson, Louvain Studies (2016)
- ‘“Shall the dead arise and praise you?” Revisions to the Missa pro defunctis in Italian printed graduals, 1591–1621 (2014)